All about blade sealing

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Ok, first we need to understand why a blade splinters in the first place, and if we need to seal it or not. This wasn't much of a problem back then, it started getting worse after the VOC glue ban, why?

Why does wood splinter?

It's very simple, when you put water on wood it raises the fibers, since the glue nowadays is water based, what happens is that this water raises the tiny wood fibers and then the latex solidifies around them. When you pull off the rubbers, you also pull these little fibers that were raised by the water. VOC glue is not water based, so you don't raise any fibers when you use it on the blade. That's why many players prefer to use VOC glue on the blade and WBG on the rubber, and not seal at all. There is still a chance of pulling some loose fibers because the bond is very strong though. By the way, the first rule of removing rubbers is from side to side, not bottom to top, Butterfly used to include this information in their rubber packages, not sure if it still does. In 99.9% of commercial blades the grain of the outer ply is placed vertically, if you remove rubbers along with the grain, your chance of catching these loose fibers is much higher, if you remove from side to side you are going perpendicular to the wood grain, so it's much safer.

Even though the grain is vertical (visually speaking), very rarely the wood fibers are perfectly parallel to the blade face. If we imagine the blade on its side, these fibers will have a diagonal orientation in most cases. They will be either facing down, into the blade, or facing up, outwards from the blade. When I build a blade I try to make sure that the orientation of the fibers is facing outwards, to minimize splintering issues. I know that almost everyone removes their rubbers from bottom to top, so in this case the bottom of the fiber is more firmly secured. If the fibers are facing inwards, then the bottom of the fibers is looser, there is a bigger chance of catching it and it will splinter more easily. However, this is not easy to spot in the earlier stages of production, and sometimes I miss it. I'm pretty sure that none of the major brands is paying attention to this, so you have a 50/50 chance of the wood being position correctly or not.

Does all wood splinter?

Yes, some more easily than others. It's not good enough to say that Limba is softer than Koto so it splinters more easily. Some woods have a grain structure that makes them more prone to splintering, but that's not the only variable. It depends on the wood itself, how it was cut and the its moisture content. I will speak more about the moisture content ahead, right now I just want to mention that flatsawn wood is more prone to splintering than quarter cut, but even here it's just a generalization, it depends on the wood itself. I have batches of Limba that never gave me problems, and I had some situations with koto or even Ebony, so we also can't generalize.

Sealing changes the feeling or not?

Like with all things in life, it depends on how you do it. If your sealing your blade enough to change it's feeling, then you are probably not doing it right. Or maybe that's precisely your goal, so nothing wrong with it. Change means different, not better or worse, so you even might like the feeling of a "too much" sealed blade. Personally I don't, so I do it very thinly. I seal all my blades for security, I did have some problems in the beginning when I wasn't doing it properly, and it might even happen again if I work with a wood I'm not used too, but I haven't received a single complain since then about a splintered blade. I also don't receive feedback about the lack of feeling, on the contrary, and many costumers even ask me if they need to seal their blades after receiving them. The layer is so thin that it's actually hard to see if it was sealed or not. Regarding the feeling, there is a very simple test you can make. Just grab a piece of paper, apply a layer of sealer and let it dry. You can even go nuts on it and apply two or three. After it dries check if the paper got any stiffer or harder. A piece of paper is roughly 0.1mm thick, a layer of sealer is microns thick, 1/10 of the paper thickness, so don't tell me you feel a difference. If you use the proper stuff, it's designed to respond to natural wood movement, so it's relatively flexible, of course if you put on thick, glossy coat of epoxy of whatever, you will feel a difference.

Another side note here as well. Old blades feel different, not because of water or glue or whatever, but because they are old! Wood doesn't get drier with age it depends on the environment! Wood has a natural moisture content, and it will continue to make moisture exchanges with the environment unless it's sealed. If you store your blade in a very dry environment, with a lower moisture content than your blade, it will progressively release moisture into the air. On the other hand, if the environment is very humid, it will continue to absorb moisture. Another aspect is the type of glue used. Nowadays we use poly or other polymer glues that are very stable, but for other water based glues like Hide, even after they have dried, they will slowly continue to cure over time. Sometimes they even become too brittle and lose their properties. And let's not forget the impact of the ball. It may not sound like much, but the constant impact of the ball over the years, does change the properties of a blade. It's like using a tiny meat tenderizer on your steak.

Water is your friend!

You just need to know how to use it. I see a lot of people saying that over the years, water seeps into the wood and changes the feeling. Another little test for you, take a piece of wood veneer, usually 0.5-0.6mm thick, and try to dye it. Apply all you want, leave it overnight, do whatever comes to your mind. You won't be able to get the dye to penetrate even halfway trough the veneer! It's actually very hard to dye wood all the way through, and that's why I need to buy expensive pre-dyed veneers to make handles, because this is a specialized process that requires vacuum chambers. Wood makes moisture exchanges with the environment through the end-grain. Think of the wood grain like these tiny little pipes, water mostly gets in or out through the end of the pipes, not the surface of the pipe. Sure, if you put some water on wood it will be absorbed, but it gets out as easily as it gets in.

This is actually the most crucial step, and you may even get away with not sealing your blade if you really don't want to. Before sealing, you must make sure you raise those loose wood fibers I spoke about earlier, and sand them. I apply this step to every blade I make. Very simple, just take a wet cloth and damp the surface of the blade, let it be for a few seconds until you see the fibers getting up, dry it out with an hair drier, then gently sand them away. Be sure to sand them in the opposite direction they are facing, you want to cut these fibers, not to force them against the surface again. After sanding be sure to clean the dust and you are ready for sealing.

Sealing

First, what to use. I'm not gonna tell what I'm using because it's a local product and you won't be able to get it, but it doesn't matter anyway, there are plenty of brands out there. Wipe on poly is a scam, it's just regular poly mixed with mineral spirits. Buy it if you want but it's probably cheaper to buy a can of regular poly and mineral spirits. Oil based is probably better, you are minimizing the amount of water that gets into your blade (but we've already seen that's not a problem), but it takes forever to dry! I'm sealing many blades at once, and I can't afford to wait days for this stuff to dry, so I use a water based poly. We don't call it that here, it's acrylic lacquer or something similar, you can find it with many names. Generally they are all similar, it's a milky white stuff and they come in various degrees of viscosity, but you also don't want something too thick that's harder to spread. It's very used for guitar finishing, kitchen counter top protection, and generally cheaper than the ones sold by TT brands, but you can use those too of course.

Applying it is very easy. I just put a small amount on the blade, about 2cm in diameter and spread it with a small sponge. You can use the same sponge you use for gluing. If it's summer I wipe it off right away, this stuff dries very fast, if it's winter I will let it sit for a few seconds then wipe off the excess. For cleaning you can use a clean, lint-free rag, or even a paper towel, just be sure it's resistant, otherwise it will leave white spots on your blade. Also, be sure to wipe in a vertical movement, along with the grain of the wood. Just repeat on the other side and seal the edges as well while you're at it (you might have to remove the glue first if the blade is used). It will be dry to the touch almost immediately, but if you take an hair dryer it will completely dry under a minute. Because you've already sanded the blade before, you won't get any raised fibers and won't need to sand anything else, but I generally use a green scotch brite pad just to take the shine off. Again, vertical movements along with the wood grain. That's it, you are good to go.

Sealing creates a very thin layer between the wood and rubber, it's natural if you don't get such a strong bond as before. It still should be strong enough for the rubber to stick properly, so if you found you did it a bit too much, just take a piece of 180 grit sandpaper, and very gently sand the surface to create some roughness. Again, vertical movements along with the wood grain.​
 
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Very good article. I'm personally skeptical of comments that "varnishing changes the feel of the blade." I think this is partly true if pips OX rubber is used.
In all other cases, using rubber with a sponge...I don't believe that a thin layer of varnish would noticeably change the characteristics of the racket, unless you are a "TOP" rated player who feels the vibrations of the ball before it even touches the table.
Even the statements of those who have tested "one blade varnished, the other not" do not convince me, because if we are talking about such "micro-sensations", the properties of even the same model of racket, despite quality tests, can differ.
 
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i sealed my returnboards big time.

had thought about sealing my donic too but then i wouldn't have achieved the 154.x gram total of my racket including donic edge tape!

my joints, tendons, and ligaments require me to play as lightweight as possible. and with donic and mercury2 is still have enough power and speed in my shots.
 
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Thank you for the detailed explanation. I understand that most sealers are similar, but do you have any personal experience with which sealer works best for you? For instance, is the Joola sealer a good option? I'm looking for one that is very lightweight so it doesn't alter the playing characteristics.
 
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Wipe on poly is a scam, it's just regular poly mixed with mineral spirits. Buy it if you want but it's probably cheaper to buy a can of regular poly and mineral spirits.

I would say this differently. It is a shortcut. It simplifies things for someone who is just going to seal a few blades or one piece of furniture with it and not think about it again. I agree with the idea you are presenting. All it is is thinned out sealant. So, for someone who is able to buy the regular poly sealant and the mineral spirits, pour into a 3rd container from each and mix the correct percentages of each, if one were to seal tons of blades, or lots of furniture, that would be more effective and more economical because you could adjust the amount of poly and mineral spirits depending on the job and, as you said the cost.

But for someone who just wants poly sealant that isn't too thick and does not already REALLY know what they are doing, Wipe On Poly is a shortcut even if you pay a little more. One pint is still enough to seal a few thousand blades. And it still costs less for a pint of that than 4 oz of sealant from many TT companies. :)

Oil based is probably better, you are minimizing the amount of water that gets into your blade (but we've already seen that's not a problem), but it takes forever to dry! I'm sealing many blades at once, and I can't afford to wait days for this stuff to dry, so I use a water based poly.

I think this makes perfect sense. If I was sealing tons of blades or lots of furniture, I would go with the convenience of something that dried that much faster. I would also do it for the health issues. If you are doing that much sealing of wood products, then the harmful vapors of the VOCs in the oil based products would present much more of an ongoing health issue. So, for both of those reasons, I would use water based poly as well. But if I am simply sealing one blade every 6 months or every 2 years, then, I personally would choose the original oil based product and get the simple version made for people who are not regularly working with wood finishing: the one that would be a scam for a real carpenter but is a simplification and a convenience for someone who just wants a thin sheen of sealant on a surface without having to do too much work. :)

As far as water on the blade, in general, for wood, being used in different circumstances, like furniture; sure. Also, if you are letting the naked wood, with nothing but water, dry fully after sanding, absolutely not a problem.

But repeatedly applying water to the naked wood of a blade, I personally would not. My reasons are that the wood of a blade is not being used for the same purpose as most furniture. The wood's vibration on contact and resonance has a good impact on how it feels. So, for me, if a blade already feels good, I want to do as little to change that as possible. If the blade didn't feel good, that would be a different story. And changing how a blade feels to make it feel crisper, more resonant, that is fine. But I would not want to make the blade feel less crisp, less resonant, duller....unless the blade had too much of those properties. :)

Have you ever seen a blade that started out flat but over time, the blade surface warped? I have seen that.

Even though water might sink into the wood much faster from the edge, part of what you are seeing in the grain on the surface, there are places where the cut of the wood goes through the pour. But yes, water will sink in much more fully and much faster from the edges of a blade than from the blade surface.

But, when you put WBG on the surface of a blade and let it dry, Can you be sure that none of the water from the glue sinks into the blade and then is trapped under that surface of latex (or whatever chemical the particular glue you are using is made from) for a longer period of time than would have happened if you just put a tiny bit of water on the surface with nothing else and then let it fully evaporate?

With water based sealant, is there any possibility that a small amount of the water gets absorbed into the top ply and is trapped in there under the sealant after the sealant has dried? Is there ANY possibility of that? Or is that absolute zero? If that happened, over time, it might still evaporate out the edge of the blade. But the extra water content would be in the blade for much longer than what you described to prepare wood for fine grit sanding.

I am honestly not entirely sure what causes a blade to age well and another not to. So, my thought that the wood dries out was a theory. All I can say is, those two blades I described in that other thread (Clipper and Avalox P700) that were purchased in 1990 and 1991 that I tried....they had the best feeling of any blades I have ever tried. The closest I ever felt to them was two blades made by Blades by Charlie.

What are the processes that a company like Stiga uses on some of those blades where they say they have aged some of the plies? I don't know. What about those blades that say the plies have been heat-treated or "burned"? I don't know. But often blades that have things like that have really big crunchy feeling.

I personally, will do anything to have that big crunchy feeling from a blade. And if it has it, that blade will make me happy. :)
 
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Thank you for the detailed explanation. I understand that most sealers are similar, but do you have any personal experience with which sealer works best for you? For instance, is the Joola sealer a good option? I'm looking for one that is very lightweight so it doesn't alter the playing characteristics.
Don’t buy sealers from table tennis equipment producers.
They don’t make it themself and just buy it in bulk. And sell it in over priced small bottles.
Take any sealant, while off the excess and you’re done.


Search the pong professor on YouTube about sealing blades. He compares 5 different sealers and oils.

But never ever buy Minwax wipe on sealant. It’s a rip off and ruins the blade.
Just teasing Carl 😂
 
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Thank you for the detailed explanation. I understand that most sealers are similar, but do you have any personal experience with which sealer works best for you? For instance, is the Joola sealer a good option? I'm looking for one that is very lightweight so it doesn't alter the playing characteristics.
I don't use sealers from TT brands, but sure, they will work. For the amount you are applying they will all be lightweight, were are talking less than 1g added. I was using Chestnut Acrylic Lacquer, it's used for guitar finishing, but now I'm using another product.
 
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But for someone who just wants poly sealant that isn't too thick and does not already REALLY know what they are doing, Wipe On Poly is a shortcut even if you pay a little more. One pint is still enough to seal a few thousand blades. And it still costs less for a pint of that than 4 oz of sealant from many TT companies. :)

I do still see it as a scam, but I understand your POV.

As far as water on the blade, in general, for wood, being used in different circumstances, like furniture; sure. Also, if you are letting the naked wood, with nothing but water, dry fully after sanding, absolutely not a problem.

I forgot to add that, after raising the fibers, we should dry the surface with an air drier. Thanks for remind.

Even though water might sink into the wood much faster from the edge, part of what you are seeing in the grain on the surface, there are places where the cut of the wood goes through the pour. But yes, water will sink in much more fully and much faster from the edges of a blade than from the blade surface.
Sure, you are correct, as I've stated the wood fibers are diagonal in many cases, so some of the end grain might be exposed on the top ply. And this is why I'm an advocate of sealing the blades. However, my reasoning still stands true, just do the veneer test and you will see. If you add water too a piece of veneer it will make the fiber expand on that side, which in turn makes the veneer curl, just like when we boost a rubber. If you leave the veneer for a few hours, it will slowly return into place.

But, when you put WBG on the surface of a blade and let it dry, Can you be sure that none of the water from the glue sinks into the blade and then is trapped under that surface of latex (or whatever chemical the particular glue you are using is made from) for a longer period of time than would have happened if you just put a tiny bit of water on the surface with nothing else and then let it fully evaporate?
If you let the blade surface dry properly, then it's zero chance. Again, do the veneer test, I've made all of these tests already. In fact, when I sense that the top ply is very porous, and there will be a greater chance of resin bleeding through while laminating a fiber (in the case of outer blades), I often pre-seal the top layer.

Have you ever seen a blade that started out flat but over time, the blade surface warped? I have seen that.

I have seen many blades warping, I am doing this for a living after all... A blade may warp for many reasons, but mostly those reasons are connected with what was made before or during the blade construction, and not what was made after the blade construction. Even if you soak the blade face in water constantly, the tension caused by the warping of this layer is not enough to make the whole blade warp, the medial plies don't allow that. Now, if a water based glue was used in the construction, that's enough reason for a blade to warp over time. When you use water based glue to bond the layers, you make them expand temporarily, then you glue everything together and it stays flat. Over time these layer will lose the excess water content and will want to return to the original size, but they can't because they are bonded, so the blade warps. If the amount of glue isn't strictly the same on both sides, or even if the sides react differently to the glue, it's enough for this to happen. This is the biggest challenge with building combi blades, different contraction/expansion ratios that lead to warping over time. Another reason, and the most plausible one is the core, maybe it was not flat to begin with and forced into position by the glue. Over time it will want to return to the original position. I've seen all of this, but in that particular case I cannot know for sure without knowing the specific conditions. That's why when build a blade, I glue the layers two at a time, and allow them to dry properly before gluing the core.
 
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@hipnotic have you ever tried steam or heat to straighten a blade again?
When I bend a side for a guitar I use heat and moist to bend it.
Can it be used to straighten a warped blade or isn’t it worth the trouble and is it a lost case.
Doesn't work. You can use heat or steam and clamp it, it will remain flat for a while but it will slowly return into position.
 
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Any thoughts on those processes of aging the wood, heat treating the wood and what they might actually so. Or do you thing things like that are simply marketing and they are using a ply combination that would have a crisp feeling regardless of whether they actually do those kinds of treatments?
 
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@hipnotic have you ever tried steam or heat to straighten a blade again?
When I bend a side for a guitar I use heat and moist to bend it.
Can it be used to straighten a warped blade or isn’t it worth the trouble and is it a lost case.
This works for dings but not for warping. You can’t unwrap a bent guitar neck this way. I have an old Martin D18 with a warped neck, it doesn’t have truss rod unfortunately. Still playable on the low frets but I can’t go high…

Cheers
L-zr
 
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Any thoughts on those processes of aging the wood, heat treating the wood and what they might actually so. Or do you thing things like that are simply marketing and they are using a ply combination that would have a crisp feeling regardless of whether they actually do those kinds of treatments?
I don't know what's the process of aging wood, heat treating is not marketing. I use thermally treated ash for handles and it's one of my favorite woods to use. Normally darker woods are also heavier, this stuff is medium weight, because the process removes all the moisture, and it gets a dark brown tone, similar to Wenge, but Wenge is much heavier. This is the only stage when you can say that the wood is really "dead", because the moisture is removed but it also closes the pores. The only downside is that, without any water content, it also gets more brittle, so it's harder to work with. In terms of composition, there are other ways to achieve a crisp feeling without heat treated layers.
 
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So @hipnotic I was wondering last night if you (or any other blade maker) ever tried out what the effects are of treating the veneers with something like boiled linseed oil.

I'm sure it will change the weight, but what other influences would it have? In axe hanging it's used to make the handle swell up a bit, and that probably already says enough about practical applications for TT 🤪
 
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So @hipnotic I was wondering last night if you (or any other blade maker) ever tried out what the effects are of treating the veneers with something like boiled linseed oil.

I'm sure it will change the weight, but what other influences would it have? In axe hanging it's used to make the handle swell up a bit, and that probably already says enough about practical applications for TT 🤪
I use it all the time, no warping or swelling yet. Use it on all wood projects.
You shouldn’t drench the blade…

Raw linseed oil is better but boiled is fine too.

The oil prevents the wood from drying and wood that is too dry splinter easily …

If you apply it to an axe handle on the “end wood” it will suck a lot more, those fibers are like little straws…

Cheers
L-zr
 
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Ok, first we need to understand why a blade splinters in the first place, and if we need to seal it or not. This wasn't much of a problem back then, it started getting worse after the VOC glue ban, why?

Why does wood splinter?

It's very simple, when you put water on wood it raises the fibers, since the glue nowadays is water based, what happens is that this water raises the tiny wood fibers and then the latex solidifies around them. When you pull off the rubbers, you also pull these little fibers that were raised by the water. VOC glue is not water based, so you don't raise any fibers when you use it on the blade. That's why many players prefer to use VOC glue on the blade and WBG on the rubber, and not seal at all. There is still a chance of pulling some loose fibers because the bond is very strong though. By the way, the first rule of removing rubbers is from side to side, not bottom to top, Butterfly used to include this information in their rubber packages, not sure if it still does. In 99.9% of commercial blades the grain of the outer ply is placed vertically, if you remove rubbers along with the grain, your chance of catching these loose fibers is much higher, if you remove from side to side you are going perpendicular to the wood grain, so it's much safer.

Even though the grain is vertical (visually speaking), very rarely the wood fibers are perfectly parallel to the blade face. If we imagine the blade on its side, these fibers will have a diagonal orientation in most cases. They will be either facing down, into the blade, or facing up, outwards from the blade. When I build a blade I try to make sure that the orientation of the fibers is facing outwards, to minimize splintering issues. I know that almost everyone removes their rubbers from bottom to top, so in this case the bottom of the fiber is more firmly secured. If the fibers are facing inwards, then the bottom of the fibers is looser, there is a bigger chance of catching it and it will splinter more easily. However, this is not easy to spot in the earlier stages of production, and sometimes I miss it. I'm pretty sure that none of the major brands is paying attention to this, so you have a 50/50 chance of the wood being position correctly or not.

Does all wood splinter?

Yes, some more easily than others. It's not good enough to say that Limba is softer than Koto so it splinters more easily. Some woods have a grain structure that makes them more prone to splintering, but that's not the only variable. It depends on the wood itself, how it was cut and the its moisture content. I will speak more about the moisture content ahead, right now I just want to mention that flatsawn wood is more prone to splintering than quarter cut, but even here it's just a generalization, it depends on the wood itself. I have batches of Limba that never gave me problems, and I had some situations with koto or even Ebony, so we also can't generalize.

Sealing changes the feeling or not?

Like with all things in life, it depends on how you do it. If your sealing your blade enough to change it's feeling, then you are probably not doing it right. Or maybe that's precisely your goal, so nothing wrong with it. Change means different, not better or worse, so you even might like the feeling of a "too much" sealed blade. Personally I don't, so I do it very thinly. I seal all my blades for security, I did have some problems in the beginning when I wasn't doing it properly, and it might even happen again if I work with a wood I'm not used too, but I haven't received a single complain since then about a splintered blade. I also don't receive feedback about the lack of feeling, on the contrary, and many costumers even ask me if they need to seal their blades after receiving them. The layer is so thin that it's actually hard to see if it was sealed or not. Regarding the feeling, there is a very simple test you can make. Just grab a piece of paper, apply a layer of sealer and let it dry. You can even go nuts on it and apply two or three. After it dries check if the paper got any stiffer or harder. A piece of paper is roughly 0.1mm thick, a layer of sealer is microns thick, 1/10 of the paper thickness, so don't tell me you feel a difference. If you use the proper stuff, it's designed to respond to natural wood movement, so it's relatively flexible, of course if you put on thick, glossy coat of epoxy of whatever, you will feel a difference.

Another side note here as well. Old blades feel different, not because of water or glue or whatever, but because they are old! Wood doesn't get drier with age it depends on the environment! Wood has a natural moisture content, and it will continue to make moisture exchanges with the environment unless it's sealed. If you store your blade in a very dry environment, with a lower moisture content than your blade, it will progressively release moisture into the air. On the other hand, if the environment is very humid, it will continue to absorb moisture. Another aspect is the type of glue used. Nowadays we use poly or other polymer glues that are very stable, but for other water based glues like Hide, even after they have dried, they will slowly continue to cure over time. Sometimes they even become too brittle and lose their properties. And let's not forget the impact of the ball. It may not sound like much, but the constant impact of the ball over the years, does change the properties of a blade. It's like using a tiny meat tenderizer on your steak.

Water is your friend!

You just need to know how to use it. I see a lot of people saying that over the years, water seeps into the wood and changes the feeling. Another little test for you, take a piece of wood veneer, usually 0.5-0.6mm thick, and try to dye it. Apply all you want, leave it overnight, do whatever comes to your mind. You won't be able to get the dye to penetrate even halfway trough the veneer! It's actually very hard to dye wood all the way through, and that's why I need to buy expensive pre-dyed veneers to make handles, because this is a specialized process that requires vacuum chambers. Wood makes moisture exchanges with the environment through the end-grain. Think of the wood grain like these tiny little pipes, water mostly gets in or out through the end of the pipes, not the surface of the pipe. Sure, if you put some water on wood it will be absorbed, but it gets out as easily as it gets in.

This is actually the most crucial step, and you may even get away with not sealing your blade if you really don't want to. Before sealing, you must make sure you raise those loose wood fibers I spoke about earlier, and sand them. I apply this step to every blade I make. Very simple, just take a wet cloth and damp the surface of the blade, let it be for a few seconds until you see the fibers getting up, dry it out with an hair drier, then gently sand them away. Be sure to sand them in the opposite direction they are facing, you want to cut these fibers, not to force them against the surface again. After sanding be sure to clean the dust and you are ready for sealing.

Sealing

First, what to use. I'm not gonna tell what I'm using because it's a local product and you won't be able to get it, but it doesn't matter anyway, there are plenty of brands out there. Wipe on poly is a scam, it's just regular poly mixed with mineral spirits. Buy it if you want but it's probably cheaper to buy a can of regular poly and mineral spirits. Oil based is probably better, you are minimizing the amount of water that gets into your blade (but we've already seen that's not a problem), but it takes forever to dry! I'm sealing many blades at once, and I can't afford to wait days for this stuff to dry, so I use a water based poly. We don't call it that here, it's acrylic lacquer or something similar, you can find it with many names. Generally they are all similar, it's a milky white stuff and they come in various degrees of viscosity, but you also don't want something too thick that's harder to spread. It's very used for guitar finishing, kitchen counter top protection, and generally cheaper than the ones sold by TT brands, but you can use those too of course.

Applying it is very easy. I just put a small amount on the blade, about 2cm in diameter and spread it with a small sponge. You can use the same sponge you use for gluing. If it's summer I wipe it off right away, this stuff dries very fast, if it's winter I will let it sit for a few seconds then wipe off the excess. For cleaning you can use a clean, lint-free rag, or even a paper towel, just be sure it's resistant, otherwise it will leave white spots on your blade. Also, be sure to wipe in a vertical movement, along with the grain of the wood. Just repeat on the other side and seal the edges as well while you're at it (you might have to remove the glue first if the blade is used). It will be dry to the touch almost immediately, but if you take an hair dryer it will completely dry under a minute. Because you've already sanded the blade before, you won't get any raised fibers and won't need to sand anything else, but I generally use a green scotch brite pad just to take the shine off. Again, vertical movements along with the wood grain. That's it, you are good to go.

Sealing creates a very thin layer between the wood and rubber, it's natural if you don't get such a strong bond as before. It still should be strong enough for the rubber to stick properly, so if you found you did it a bit too much, just take a piece of 180 grit sandpaper, and very gently sand the surface to create some roughness. Again, vertical movements along with the wood grain.​
nice long explanation. i just would like to add that moisture does sip into blades and probably does change the "feeling". you can easily test this by dehydrating a blade that's seen at least 6-7 months of use. if you measure the weight of the blade before and after, you'll find 1-5 grams are missing after the dehydration process.

most of the moisture gets in to the core because it's made out of low density wood, the top veneers are indeed really hard as far as wood goes and some of them are highly water repellent(japanese make bathtubs out of hinoki)
 
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Any thoughts on those processes of aging the wood, heat treating the wood and what they might actually so. Or do you thing things like that are simply marketing and they are using a ply combination that would have a crisp feeling regardless of whether they actually do those kinds of treatments?
in this context, the wood aging process involves exposing wood to cycles of water soaking and uv treatment or just leaving it out in the open uncovered but stacked such that it's well ventilated. this makes the surface of the wood harder and more dimensionally stable.
 
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nice long explanation. i just would like to add that moisture does sip into blades and probably does change the "feeling". you can easily test this by dehydrating a blade that's seen at least 6-7 months of use. if you measure the weight of the blade before and after, you'll find 1-5 grams are missing after the dehydration process.

most of the moisture gets in to the core because it's made out of low density wood, the top veneers are indeed really hard as far as wood goes and some of them are highly water repellent(japanese make bathtubs out of hinoki)
Water does not sip into blades, water sips into handles. Moisture gets into or out of the core through the endgrain due to exchanges with the environment. I dehydrate blades all the time, you will also find that the blade will regain some of that weigh back after some time if you leave out.

Hinoki is a low density wood, so is Western Red Cedar which is also vastly used for building saunas and decks. They are not water repellent, they are water resistant, which is different. It has nothing to do with the density, it has to do with the grain structure.

in this context, the wood aging process involves exposing wood to cycles of water soaking and uv treatment or just leaving it out in the open uncovered but stacked such that it's well ventilated. this makes the surface of the wood harder and more dimensionally stable.
This is not wood aging, it's called air drying. You leave the wood to dry out in the open and exposed to elements. Wood dried this way will reach the equilibrium moisture content of its surroundings, so it's mostly used for outdoor projects. It takes a long time and you also have the risk of chemical stains, insects, fungi, mold, and decay. Tell me just one benefit of this for a TT blade, or even one model that uses this type of wood.
 
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So @hipnotic I was wondering last night if you (or any other blade maker) ever tried out what the effects are of treating the veneers with something like boiled linseed oil.

I'm sure it will change the weight, but what other influences would it have? In axe hanging it's used to make the handle swell up a bit, and that probably already says enough about practical applications for TT 🤪
I did and I don't like it. It adds weight, and it takes forever to dry too. I also don't like the yellow sheen it gives to the blades. It works better on handles, and in this case it's a nice way of protecting the handle without getting a sealed feeling.
 
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Water does not sip into blades, water sips into handles. Moisture gets into or out of the core through the endgrain due to exchanges with the environment. I dehydrate blades all the time, you will also find that the blade will regain some of that weigh back after some time if you leave out.
moisture and specifically water does sip into the blade and the handle, collecting experimental evidence about this is extremely easy.

Hinoki is a low density wood, so is Western Red Cedar which is also vastly used for building saunas and decks. They are not water repellent, they are water resistant, which is different. It has nothing to do with the density, it has to do with the grain structure.
all true. didn't say that hinoki has high density, it is low on the janka scale(which measures hardness but wood hardness is highly correlated with wood density).

no wood is water repellent, they all have a degree of water resistance, i just mixed up the words.

This is not wood aging, it's called air drying. You leave the wood to dry out in the open and exposed to elements. Wood dried this way will reach the equilibrium moisture content of its surroundings, so it's mostly used for outdoor projects. It takes a long time and you also have the risk of chemical stains, insects, fungi, mold, and decay. Tell me just one benefit of this for a TT blade, or even one model that uses this type of wood.
wood aging is a marketing term, there are different processes are that all referred to as aging in marketing speak, but fall under 2 categories under lumber processing speak: aesthetic enhancements and mechanical enhancements.

the most important ones for tt are mechanical enhancements. air drying is not aging, it's just stacking the lumber, covering it and leaving it outside(maybe some lumber providers refer to this as aging and if that is the case, they suck). exposing wood to lots of man made moisture/uv cycles is aging. the benefit of that is that you get the wood dimensionally stable in as low as 1 year(as opposed to 4 years if you just air dry it).

aren't the benefits of dimensionally stable wood obvious for tt blades manufacturing?
 
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