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OP's question makes no sense: the thickness of the rubber plays an important role. If you put a Barna SP OX Original Legend Classic on an xyz blade, of course you'll get a more direct feeling of the blade, no question.
Now that being said, why do you think you increase the hardness AND the thickness of the sponge when your skills are getting better? simple: soft + 0.5 to 1.5 mm thickness rubbers give more feedback than harder + 2.0 to max rubbers, why do you think kids learn that way ? There's way less dampening effect in a soft sponge, ask my Fender Precision with flat strings she'll tell ya: when I put a harder foam under the strings at the bridge, it kills the sound, If I decrease the hardness, the vibrations come back and I start to ear the fundamentals of each note, what I need for vintage Motown sounds (like James Jamerson with Stevie Wonder) but not the harmonics. if I decrease more and more, the harmonics come back (for a given note you get its fundamental + its harmonics sequence).
Now that being said, why do you think you increase the hardness AND the thickness of the sponge when your skills are getting better? simple: soft + 0.5 to 1.5 mm thickness rubbers give more feedback than harder + 2.0 to max rubbers, why do you think kids learn that way ? There's way less dampening effect in a soft sponge, ask my Fender Precision with flat strings she'll tell ya: when I put a harder foam under the strings at the bridge, it kills the sound, If I decrease the hardness, the vibrations come back and I start to ear the fundamentals of each note, what I need for vintage Motown sounds (like James Jamerson with Stevie Wonder) but not the harmonics. if I decrease more and more, the harmonics come back (for a given note you get its fundamental + its harmonics sequence).
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