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Using 2 mics as mono is a no-no for an upright, don't do that: you'll have to deal with phase issues, with gain and volume issues, if you're not familiar with mixing techniques, make it simple. Using mics as mono is right for a grand, as you have to pick up different registers
Because... an upright is not strung like a grand: the low and treble strings registers are crossed, means the low register starts up high on the left and falls down on the bottom right of the soundboard. You can try the french ORTF micing technique as a stereo pair still, scoop the 200-500 Hz range, and add some gentle compression to get better sustain: on the Red 3 compressor panel, set a slow attack, slow release, low ratio, threshold at noon, input depending on the microphones' gain.
https://blog.zzounds.com/2019/04/10/recording-an-old-upright-piano/
Because... an upright is not strung like a grand: the low and treble strings registers are crossed, means the low register starts up high on the left and falls down on the bottom right of the soundboard. You can try the french ORTF micing technique as a stereo pair still, scoop the 200-500 Hz range, and add some gentle compression to get better sustain: on the Red 3 compressor panel, set a slow attack, slow release, low ratio, threshold at noon, input depending on the microphones' gain.
https://blog.zzounds.com/2019/04/10/recording-an-old-upright-piano/