It is interesting how sometimes the shadow work helps you get the right movement and other times having the ball there helps you get the right movement for the shadow steps as well. And going back and forth you get your stroke closer to your shadow stroke when the shadow stroke is better and you get your shadow stroke closer to the real stroke when it is off.
When I used to do shadow footwork/stroke patterns I would move instantly to the next spot while I was doing what I thought was resetting. Trouble is, with real footwork when placement is random, there is a pause, a hesitation, where you are neutral ready to set for a BH or an FH while you watch where the next ball will go before moving to it.
When I learned to have that hesitation in my shadow, it looked less like a graceful dance but was more true to the real thing and ultimately, learning that, helped my ability to move to the next ball better and the graceful dance didn't really address the actual issue.
Hey, is that NextLevel doing a crossover step on a Segway?
Gotta Go!
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